Killer guitarist richard hallebeek

Richard Hallebeek has become one of my favorites...see the review I did of One Spirits second release.



here's a bio at Richard's site: http://www.richardhallebeek.com/bio/index.php






:: One Spirit - Go For It! (2009)


Richard Hallebeek, Frans Vollink, Sebastiaan Cornelissen - Go For It!
:: Tracks ::
1) Tricky's Tales listen mp3
2) Demo Of Demonstration
3) Purpurama
4) Done listen mp3
5) If So
6) Port listen mp3
7) Go For It MF listen mp3
8) Maybe-Interlude
9) Leo's Dance listen mp3
10) 25-8 listen mp3
11) Sergio's Pants listen mp3
12) TBA listen mp3
13) Paraquats listen mp3
:: Musicians ::
Richard Hallebeek
Guitars
Frans Vollink Bass
Bas Cornelissen Drums
Ada Rovatti Sax
Randy Brecker Trumpet
Steve Hunt , Lalle Larsson Keys
Martin Verdonk Percussion
Rob van Bavel Piano


:: U-Turn (2009)




Title ::
Sebastiaan Cornelissen - U-Turn
:: Tracks ::
1) Can do
2) Fruits & Fibre
3) Uturn
4) Caspar
5) 4 Hands
6) Stello
7) England Green listen mp3
8) All So Familiair
9) Stevenage
10) Up There listen mp3
11) Bread Maker
12) Squash listen mp3
13) Snox!
14) Last One
:: Musicians ::
Sebastiaan Cornelissen
Drums
Jimmy Earl, Tom Kennedy, Frans Vollink, Hadrien Feraud, Johnny Copland, Gary Willis,Ruud Cornelissen Bass
Richard Hallebeek, Alex Machacek, Susan Weinert, Leonardo Amuedo, Mike Outram Guitar
Gary Husband, Steve Hunt, Scott Kinsey Keys
Gerard Presencer Flugel Horn
:: The Alchemists II (2007)
:: One Spirit (2005)
:: Richard Hallebeek Project (2005)

This is Hallebeeks solo release...its great!

Richard Hallebeek Project


guitar 9

http://www.guitar9.com/richardhallebeek.html

"Richard Hallebeek Project"

The Story
The "Richard Hallebeek Project" is the self titled debut CD featuring advanced instrumental jazz/rock fusion by Dutch guitar monster Richard Hallebeek, along with Lale Larson (keys) and Bas Cornelissen (drums), and showcasing Shawn Lane (guitar) and Brett Garsed (guitar) on four tracks. As Hallebeek himself wrote in January of 2004, "After being a sideman for many years, I finally felt the time was right to step out on my own. I've enjoyed playing in different formats in the past, but have always had a very clear picture about how I wanted things to be. Meeting Cornelissen and Larson was a big turning point - we seemed to hit it off right away. They made unique contributions to the songs and to the project as a whole. At the same time, Liquid Note Records gave us the green light to write and play the kind of music we loved, but rarely hear nowadays. Of course, we didn't stop there - the guest performances by Shawn and Brett added to the excitement we felt when we first got to play together with this group." In short, the "Richard Hallebeek Project" provides the listener with terrifyingly good fusion.





Richard Hallebeek Project with Lale Larson and Bas Cornelissen Feat. Shawn Lane & Brett Garsed
:: Tracks ::
1) Prescription Strength listen mp3
2) Good Food listen mp3
3) Enigma listen mp3
4) Lined Out
5) Canoga Park
6) Free listen mp3
7) Axe
8) Imagine
9) Orange Faces
:: Musicians ::
Richard Hallebeek
Guitars
Shawn Lane Guitars
Brett Garsed Guitars
Bas Cornelissen Drums
Lale Larson Keys
Udo Pannekeet Bass

BUY IT!

https://www.paypal.com/nl/cgi-bin/webscr?cmd=_flow&SESSION=bgxOEf7sbUFlg3fBi1lViiWIaRZhB_k9CtZJ5S2BD3TJxWJs3BF3qImha48&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b5eb2336391e7cbed125f6c5bdaf8a1cd2bd526d80f731bcf

:: Flowriders - Starcraft (2005)
:: Flowriders - Pheromone (2004)
:: Attitude (2002)
:: The Alchemists (2002)


:: Nostalgia (2002)

René Engel - Nostalgia (All songs by René Engel)
:: Tracks ::
1) Adventures In Afghanistan listen mp3
2) Tour De Force
3) Enschedé, may 13 2000
4) Song For Mandela listen mp3
5) Sikat Sekali Lagi, Nyong! (p3)
6) Nostalgia listen mp3
7) Nels
8) Sikat Sekali Lagi, Nyong! (p4)
9) Ode To Bach
:: Musicians ::
René Engel Drums
Richard Hallebeek Guitar
Maik Schott Keys
David De Marez Oyens Bass
Davy De Wit Bass
Nippy Noya Percussion


BUY IT!

https://www.paypal.com/nl/cgi-bin/webscr?cmd=_flow&SESSION=pBuKJw6hwpPTGs1FtP6GtOYLfMb0IXjcRTswnY4CBfpsDT2yE4h1_AuqE5u&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b5eb2336391e7cbed125f6c5bdaf8a1cd2bd526d80f731bcf





:: Perception Of The Beholder (2002)



Isotope - Perception Of The Beholder
:: Tracks ::
1) Compound
2) Bowshock Nubula
3) Soundset
4) Rename Later
5) Perception Of The Beholder
6) 24 Pilot Lights: listen mp3
7) 12 Men Left
8) Dipsy
9) Voodoo Horns
:: Musicians ::
Sebastiaan Cornelissen
Drums
Udo Pannekeet Bass
Rob Van Bavel Rhodes
Tom Beek Sax
Ruud Breuls Trumpet
Ilja Reijngoud Trombone
Jan van Duikeren Trumpet
Wim Both Trumpet


BUY IT!

http://www.aggressiveattack.com/



:: Spheres Of Samarkand (1998)


Rene Engel - Spheres Of Samarkand
(all songs by rene engel)
:: Tracks ::
1) Cullera listen mp3
2) Devils Of The Desert listen mp3
3) Hunting Song
4) So Deep listen mp3
5) Aranjuez listen mp3
6) Curacao On My Mind
7) Spheres Of Samarkand
8) Sikat Sekali Lagi, Nyong! (Part 1)
9) Fears listen mp3
10) Sikat Sekali Lagi, Nyong! (Part 2)
:: Musicians ::
Richard Hallebeek
Guitars
René Engel Drums
David De Marez Oyens Bass
Davy De Wit Bass
Maik Schott Keyboards
Nippy Noya & Jeroen De Rijk Percussion

BUY IT!

https://www.paypal.com/nl/cgi-bin/webscr?cmd=_flow&SESSION=u2gKtQnuDSPuqLkcNItM_gdV_GwvpJ2B5xO8VJa5YSQL4rwfFeryaY_HkLK&dispatch=50a222a57771920b6a3d7b606239e4d529b525e0b7e69bf0224adecfb0124e9b5eb2336391e7cbed125f6c5bdaf8a1cd2bd526d80f731bcf


:: No Respect In '98 (1998)


Richard Hallebeek and Antti Kotikoski - No respect in '98
:: Tracks ::
1) DJ Bunuel Tells It Like It Is
2) Band Aid (Kotikoski)
3) Seasons (Hallebeek) listen mp3
4) Amsterdam (Hallebeek) listen mp3
5) Pain And Relief (Pratskin)
6) New World (Hallebeek)
7) Urban Enigma (Wessman) listen mp3
8) Swang Thang (Hallebeek) listen mp3
:: Musicians ::
Richard Hallebeek
Guitar & Midi
Antti Kotikoski Guitar & Midi
Timo Pratskin Keyboards
Jaan Wessman Bass & C. Stick
Harri Lehtonen Drums


:: Generator (1995)

From Richard's site: (I think its a tad harsh about the composition comment.

:: Gitarist (Holland) ::

Hiding behind the name 'Richie & Antti' are Richard Hallebeek and Antti Kotikoski. They have a four-album deal with the prestigious 'Legato' guitarlabel. On this label, led by Mark Varney, there have been albums released with big names shredding such as Allan Holdsworth, Frank Gambale, Shawn Lane, Brett Garsed and Carl Verheyen. You can take that 'shredding' part seriously, because a lot of the Legato albums use the same receipe: a simple groove, complex harmonies, and incredible powerful guitarchops. It's, in other words, music made by and for guitar players. It's common knowledge that the market for guitar music has been going down in recent years, emphasized by the fact that Relativity (Joe Satriani and Steve Vai's label) will switch to rapmusic in the future! Honour to Mark Varney for not letting this group of guitar players down still striving for technical perfection.

The 'Generator' album from Richie & Antti follows the same receipe as described above: a funky rhythm section with long layers of chords where the soloist can go ahead and go off. In that respect, it's unavoidable to compare this album to for example 'Truth In Shredding' from Frank Gambale and Allan Holdsworth. Richie & Antti are not from the same caliber( which is no disgrace at all!) Yet there is more then enough potential present to be very curious what the future will bring us from these two gentlemen. Besides that, Generator is not a strict duo-CD. From the 9 songs, Richie & Antti only perform three tunes together. They did compose everything together though. At the time of this pressing, Richard is already back in L.A. to record the follow-up to Generator; the new album will feature some more special guests like Allan Holdsworth.

If Richard works a little bit on his composing and gets a little bit away from his Holdsworth/Henderson influences, there will undoubtly be exiting times ahead of him!First impression: Fahrenheit, Persian RugM.R.


:: True Colors (1994)
Maximum Brain Disfunction - True Colors
:: Tracks ::
1) True Colors (MBD)

2) I Gotta Go (MBD)

3) Light Of Day (Hallebeek)

4) Now's The Time (MBD)
5) Guarana (Hallebeek)
6) No One knows (MBD)


:: Musicians ::
Richard Hallebeek
Guitars
Bart Dalenoord Drums
Jaap Bokma Bass
Maarten De Wit Zang




videos

http://www.youtube.com/watch?v=O_E-0S7SteQ


http://www.youtube.com/watch?v=inHJBFJ2RW0


http://www.youtube.com/watch?v=m3M9_8RzZJo


http://video.google.com/videosearch?client=firefox-a&rls=org.mozilla:en-US:official&channel=s&hl=en&source=hp&q=richard%20hallebeek&um=1&ie=UTF-8&sa=N&tab=iv#











gigs.......




February 2010

Feb 06 FOREIGN AFFAIR Westbroek, Kerkdijk 36, start 21:00
Feb 18 MASTERCLASS Zwolle Conservatory, Aan De Stadsmuur 88, start 14:00

Soma FM

a shameless plug for Nitya...but he will play some good stuff...and that picture show's exactly how he's furnished his house!


http://somafm.com/play/sonicuniverse

Sonic Universe: NuJazz + avant-garde EuroJazz. Transcending the world of jazz with experimental takes on tradition.

Music Director / DJ: Nitya

All Roads Lead To the Flesh

I wrote the following review for the Detroit Metro Times back in 1995, when this CD was first issued.



Since that time "All Roads" had fallen out of print and was only recently reissued.Kip Hanrahan is a personal favorite of mine, since his early efforts like Coup de Tete and Desire Develops an Edge. Having worked for the Jazz composer's co-op, Hanrahan had plenty of contact's with leading jazz musicians and his session's reflect this with many top names performing.
Pretty much all of his work "stands the test of time" and is just as fresh on every listen.

Here's my review:

“All Roads Lead To the Flesh”

Kip Hanrahan

American Clave/Rounder Records

For the initiated, New Yorker Kip Hanrahan is a jazz and world music renaissance man. He is not only a fine percussionist and composer, but a very talented producer and arranger as well, able to bring together disparate collaborators seamlessly to realize a single project. His previously recorded works are more like novels in sound than conventional jazz outings. They’re all conceptually conceived and feature compositions that are stories within stories: they even develop characters. His music resembles no one else’s, though there’s no question as to his influence on more famous sonic auteurs like Hal Wilner.
That said, on “All Roads Are Made Of The Flesh”, Hanrahan abandons his previous methodology to release a collection of short stories that stand on their own, rather than as chapters in an aural novel. As usual, he has assembled a stellar cast of musicians to help him realize his vision: I only wish I were in the audience-they’ve never played in Detroit.
The disc kicks off with “Buddy Bolden’s Blues,” a tribute to the legendary, but never recorded trumpeter who many credit as inventing jazz.

Jack Bruce gives the track a wonderful reading with both his bass and voice, as Allen Toussaint and the late Don Pullen’s piano and organ respectfully give the piece a smoky , stomping New Orleans’s feel.
“The first and Last to Love Me” is a gorgeous version of the track recorded on an earlier, and now sadly out of print, album. It segues beautifully into “The September Dawn”. The band is stripped down with Bruce’s vocals shining on both tracks. As a modal musical interlude gives way to his singing, the effect is smooth, relaxed and resonates with nuance and texture. Here’s where the pace picks up. Percussion and rhythm steer the band into unknown and funkier territory.

The album closes with a gorgeous solo piece by Pullen ( would that he were still with us) and a second instrumental take of “The First and Last to Love Me,” with The late George Adam’s tenor sax in place of Jack Bruce’s vocals. The feel is tender, low-key and provides a fitting, loving tribute to both Pullen and Adams.

“All Roads Lead To the Flesh” is a chronicle of the evolution of Hanrahan’s ideas, and how he transposes them to fit a live setting. How he puts these artists together for tours is amazing. I only hope he sees fit to visit Detroit the next time around. – Jay Dorrance

And here's what wikipedia has to say..(they need an update).

Kip Hanrahan (born December 9, 1954) is an American jazz music impresario, record producer and percussionist. Born to an Irish-Jewish family in the Bronx, New York.

Hanrahan has an unusual role in the albums released under his name, one which he has analogized to that of a film director. He assembles players and materials, combining modern/avant-garde/free jazz figures like Don Pullen and Steve Swallow, Latin jazz players such as Milton Cardona and Horacio "El Negro" Hernandez, and occasionally rock singers like Sting and, most notably, Jack Bruce.

Hanrahan produced a number of significant recordings by the Nuevo Tango master Astor Piazzolla in the last decade of Piazzolla's life, as well as recordings by Latin music figures Jerry Gonzalez, Milton Cardona, and others.

Hanrahan also worked with the poet Ishmael Reed on 3 recordings with the Conjure Ensemble, including the 2006 "Bad Mouth." These side projects were not the only poetry based discs; "Darn It!" from 1994 celebrates the work of Paul Haines.

[edit] Discography

This listing includes recordings released under Hanrahan's name, as well as those released under the name Conjure.

• Coup de Tete - recorded 1979-81

Kip Hanrahan, Jerry Gonzalez, Daniel Ponce, Arto Lindsay, Jamaaladeen Tacuma, Anton Fier, Chico Freeman, Carlos Ward, Ignacio Berroa, John Stubblefield, Carla Bley, Teo Macero, Bill Laswell, Billy Bang, Lisa Herman, Nicky Marrero, Byard Lancaster, George Cartwright, Orlando DiGirolamo, Dom Um Romao, Fred Frith, Mike Mantler, Dave Liebman

• Desire Develops an Edge - recorded 1982-3

Jack Bruce, Kip Hanrahan, Steve Swallow, Puntilla Orlando Rios, Arto Lindsay, Elysee Pyronneau, Ricky Ford, Ignacio Berroa, Jerry Gonzalez, John Stubblefield, Jamaaladeen Tacuma, Anton Fier, Milton Cardona, Teo Macero, Tiplume Ricardo Franck, Frisner Augustin, Sergio Brandao, John Scofield, Jody Harris, others

• Conjure - recorded 1983, released 1985

Taj Mahal, Allen Toussaint, David Murray, Steve Swallow, Carla Bley, Lester Bowie, Kip Hanrahan, Carman Moore, Olu Dara, Jamaaladeen Tacuma, Puntilla, Milton Cardona, Kenny Kirkland, Ejaye Tracey, Don Jay, Jean-Paul Bourelly, Billy Hart, Frisner Augustin, Olufemi Claudette Mitchell, Robert Jason, Molly Farley, Brenda Norton, Elysee Pyronneau, Andy Gonzalez, Peter Scherer, Sal Cuevas, Arto Lindsay

• Vertical's Currency - recorded 1984

Jack Bruce, Kip Hanrahan, Steve Swallow, Milton Cardona, David Murray, Arto Lindsay, Ignacio Berroa, Puntilla Orlando Rios, Peter Scherer, Frisner Augustin, Elysee Pyronneau

• A Few Short Notes for the End Run (EP) - recorded 1984-5

Jack Bruce, Kip Hanrahan, Milton Cardona, Giovanni Hidalgo, Ignacio Berroa, Andy Gonzalez, Steve Swallow, Allen Toussaint, Clem Clemson, others

• Conjure: Cab Calloway Stands in for the Moon - recorded 1987-8, released 1988

Ishmael Reed, Allen Toussaint, Don Pullen, Leo Nocentelli, Steve Swallow, Robbie Ameen, Olu Dara, Eddie Harris, David Murray, Bobby Womack, Clare Bathe, Robert Jason, Fernando Saunders, Grayson Hugh, Milton Cardona, Hamiet Bluiett, Giovanni Hidalgo, Frisner Augustin, Ignacio Berroa, Elysee Pyronneau, Johnny Watkins, Lenny Pickett, Diahnne Abbott, Tennessee Reed, Shaunice Harris

• Days and Nights of Blue Luck Inverted - recorded 1988-9, released 1990

Fernando Saunders, Andy Gonzalez, Leo Nocentelli, Giovanni Hidalgo, Jerry Gonzalez, Milton Cardona, Robbie Ameen, Willie Green, Charles Neville, John Stubblefield, Kip Hanrahan, Jack Bruce, Ignacio Berroa, Peter Scherer, Anton Fier, Lew Soloff, Mario Rivera, David Murray, Pablo Ziegler, Alfredo Triff, George Adams, Carmen Lundy

• Tenderness - recorded 1988-9, released 1990

Sting, Diahnne Abbott, Carmen Lundy, Lucy Penebaz, Fernando Saunders, Kip Hanrahan, Robbie Ameen, Andy Gonzalez, Giovanni Hidalgo, Leo Nocentelli, Don Pullen, Alfredo Triff, Chocolate Armanteros, Chico Freeman, Milton Cardona, Richie Flores, Ignacio Berroa, Andrew Cyrille, Marvin Smith, Cecilia Engelhardt

• Exotica - recorded 1992, released 1993

Jack Bruce, Don Pullen, Robbie Ameen, Alfredo Triff, Leo Nocentelli, JT Lewis, David Sanchez, Ralph Peterson Jr., Anthony Carillo, Richie Flores, Milton Cardona, Lucy Penabaz, Andy Gonzalez, Mario Riviera

• Anthology - released 1993

Two disc Compilation

• All Roads Are Made of the Flesh - recorded 1984 – 1994, released 1995

Kip Hanrahan, Jack Bruce, Don Pullen, Charles Neville, Carmen Lundy, Allen Toussaint, Leo Nocentelli, Alfredo Triff, Robbie Ameen, JT Lewis, George Adams, Milton Cardona, Anthony Carrillo, Chocolate Armenteros, Dino Saluzzi, Renaud Garcia-Fons, Michael Reisler, Wolfgang Puchnik, Andy Gonzalez, Giovanni Hidalgo, Jerry Gonzalez, Elysee Pyronneau, Steve Swallow

• A Thousand Nights and a Night (1 - Red Nights) - recorded 1994-6, released 1996

Don Pullen, Robby Ameen, Carmen Lundy, Charles Neville, Jack Bruce, Brandon Ross, El Negro Horacio Hernandez, Henry Threadgill, Silvana Deluigi, Mike Cain, DD Jackson, Anthony Carrillo, Fernando Saunders, Puntilla Orlando Rios, Milton Cardona, Alfredo Triff, Eric Schenkman, Andy Gonzalez, Steve Swallow, Abraham Rodriguez

• A Thousand Nights and a Night (Shadow Nights 1) - released 1998

Don Pullen, Steve Swallow, Robbie Ameen, Carmen Lundy, Charles Neville, Billy Bang, Brandon Ross, El Negro Horacio Hernandez, Henry Threadgill, Mike Cain, Anthony Carrillo, Milton Cardona, Alfredo Triff, Eric Schenkman, Andy Gonzalez

• A Thousand Nights and a Night (Shadow Nights 2) - recorded 1994-8

Don Pullen, DD Jackson, JT Lewis, Erica Larsen, Alfredo Triff, Horacio El Negro Hernandez, Robby Ameen, Fernando Saunders, Paoli Mejias, Richie Flores , Anthony Carrillo

• Drawn from Memory (Greatest Hits, Or Whatever... Kip on Campus) - 2000

Compilation

• original music from the soundtrack to Piñero - recorded 2001, released 2002

Kip Hanrahan, Benjamin Bratt, Jerry Gonzalez, Andy Gonzalez, Chocolate Armanteros, Peter Scherer, Robby Ameen, Puntilla Orlando Rios, Milton Cardona, Richie Flores, Mario Rivera, Edsel Gomez, Lysandro Arias, Fernando Saunders, Yomo Toro, Alfredo Triff, Papo Vasquez, Mauricio Smith, Abraham Rodriguez, Felix Sanabria, Brian Lynch, Carlos Alberto Gonzalez

• Conjure: Bad Mouth - recorded 2005, released 2006

Ishmael Reed, David Murray, Kip Hanrahan, Leo Nocentelli, Alvin Youngblood Hart, Fernando Saunders, Anthony Cox, Yosvanni Terry, Pedro Martinez, Billy Bang, Horacio El Negro Hernandez, Robby Ameen, Richie Flores, Dafnis Prieto

• "Beautiful Scars" - released 2007

Some links....


http://www.americanclave.com/



http://allmusic.com/cg/amg.dll?p=amg&sql=11:t69fs36ba3pg~T0


http://www.bbc.co.uk/music/release/9j54/


some vids

http://www.youtube.com/watch?v=-r-_-6AbEcc


http://www.youtube.com/watch?v=E8Dp21T8c7c

http://www.youtube.com/watch?v=0eP12wbsdR4

Fresh Talent: Scott Mcgill

Talent deserving wider recognition guitarist Scott Mcgill



Frankly, I figure if Downbeat can do it why not me!

Its ALL Allan Holdsworth's fault really (hows that for a logic dis-connect). What I am talking about is this...every once in a while a musician comes along with a whole new style or sound, their ideas change (or add) to the musical paradigm and I would argue that Mr. Holdsworth is one of those very musicians.

Back in the late 70's early eighties I used to get in discussions about who gets the credit for the legato "sheets of notes" with accompanying slurring lay-off's so familiar in Holdsworth's playing. Not to mention the bizarre fingerings and speed...it was nuts! My rocker/metal Friends would claim that Eddie Van Halen led the way, I scoffed. I mean certainly Eddies got loads of talent, but he's not Holdsworth.

.

That point made, and now 20+ years down the road there is a whole "holdsworth school". Fairly or unfairly, guitarist's get clumped into this.


Enter Scott Mcgill.


Mcgill does play at times in the holdsworth school..but more like a metal version of Holdsworth's I.O.U. band. Its good. CRUNCHY. Also..I gotta tell you MCGILL STANDS OUT. The trio stuff with Manring et al is great music, you need this. I am just about to spin over to mcgill own site to load up on a couple of his newer releases..since he hooked up with David Torn his playing has taken the great leap forward (sorry Mao).
There's also a trio with percy jones, for some reason the only way to get it is I-tunes (yow) It's nuts. I detest I-tunes...but ...I had to.

Scott, some oddballs (like me) like to actually hold a CD.



Do this now....The download of percy/mcgill is the best thing I have heard all year!





the album...

Scott McGill: Freak Zoid

Scott McGill (Guitars, iGuitar Synth, Roland GR-33, Fretless Guitar on "Seven Zoid"); Ritchie DeCarlo (Drums, Battery 2 Softsynth Percussion, Theremin, Gongs, Vibes, Moog Voyager); Kjell Benner (Fender Bass, EHX Bi Filter, Midi Moog Voyager on "Ginger Canyon"); Dave Kloss (Chapman Stick, Midi Moog Voyager); Special Guest: Percy Jones (Fretless bass on "Anvil Purse"). With the dissolution of McGill Manring Stevens, Scott McGill continues to explore the outer realms of rock and fusion with his new band Freak Zoid. On board is Ritchie DeCarlo on drums and assorted analog keys, Kjell Benner on bass and Dave Kloss on Stick. Percy Jones is the guest bassist on one track. The music has a far more experimental quality than MMS. Freak Zoid buries its roots in improvisation resulting in a more band oriented sound than McGill's previous solo album Awareness. The refinement and restraint is most welcome.

A great guitarist...but where is his music?

Great Great guitarist...and I can find no links to his music at Amazon.



Philippe Caillat - Fire Brigade

1. Hardtwist (3:35)
2. Invaders (3:59)
3. Space Blues (4:07)
4. Big Ben (4:57)
5. Fire brigade (2:45)
6. Vanzaline (4:25)
7. Récréation (2:35)
8. Marie-Madeleine (3:00)
9. Eros (3:00)

Songs composed and arranged by Philippe Caillat


Philippe Caillat:

electric & acoustic guitar, guitar synthesiser (Arp Avatar) (5), electric bass (7)

Alexander Scheliga:

acoustic bass

Stephan Riemer:

acoustic bass (3 & 4)

Joel Allouche:

drums, percussions

Ulrich Hornberg:

keyboards (1, 2, 5, 6, 8)


Produced by Jaques Andre Martin
Recorded at Cottage Studio, Spenge Germany, September 1982
Engineered by Wigbert Pieper
except (3. & 4.) recorded at Studiop du Village, Montpellier France, April 1982
Engineered by Guy Simon
Mixed at Cottage Studio by Wigbert Pieper & Jacques Andre Martin
Cover Photo: Jacques Andre Martin
Cover Concept: PEF.
Copyright: Editions Musicales Jaques Andre Martin


Triggering a MIDI synthesizer with his guitar, usually a Fender Telecaster, Philippe Caillat takes a harmonious, deeply personal, approach to improvisational jazz. Classically trained and thoroughly schooled in European music, he skillfully weaves a unique blend of classical, jazz, avant-garde, and world music influences. A native of Paris, Caillat was raised in Montpelier in southern France. Residing in Germany for nearly three decades, he has taught at the jazz academy in Dortmund since 1997.
Craig Harris, All Music Guide

Paul Schutze

Paul Schütze music...but the fact is he's got it wired. Go here:



http://www.paulschutze.com/


Besides, I have had albeit limited correspondence with the guy and he's really really nice.

BUY HIS MUSIC.





Paul Schütze
From Wikipedia, the free encyclopedia
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Paul Schütze (born May 1, 1958) is an Australian artist resident in London. Over thirty years his work has spanned composition, performance, installation, video, printmaking and photography.

Schütze was born in Melbourne, Australia. He spent his childhood painting and drawing but left Caulfield Institute after only two months of an Arts Foundation Course to work in a factory. There he earned the money to buy his first electronic musical equipment. In 1979 he spend several months travelling and ended up in London where he immersed himself in concerts, museums and galleries. Returning to Melbourne he formed seminal improvising group Laughing Hands with Gordon Harvey, Ian Russell and Paul Widdicombe. The group existed in several forms until disbanding in 1982.

Schütze spent the next decade writing scores for films. His first feature soundtrack, The Tale of Ruby Rose (1987), won the Australian Film Institute Award for Best original Music Score[1]. During this period Schütze lectured on film sound at both Swinburne Institute and AFTRS and worked as a film critic both in print and on national radio.

In collaboration with Michael Trudgeon, Anthony Kitchener and Dominic Lowe Schütze curated and featured in Deus Ex Machina, an ambitious exhibition/ publication at Monash University in 1989. This was to be his first sound installation and subsequently his first solo album.

In 1992 Schütze re-located to London during a period of particular fertility in the independent music scene and released nearly thirty albums of original works over the next decade. Schütze contributed writings to The Wire, and performed his music in Europe, Scandinavia and Japan often with regular collaborator Simon Hopkins. In 1996 he formed improvising super-group Phantom City with Bill Laswell, Raoul Björkenheim, Dirk Wachtelaer at its core and Alex Buess, Toshinori Kondo, Lol Coxhill and Jah Wobble as guest collaborators.

In 2000 Schütze was invited to exhibit in Sonic Boom at the Hayward Gallery London by curator David Toop. The same year he received a large commission for a permanent installation work for Cap Gemini and a second for a massive twenty-two screen audio/video work at the Gasometer in Oberhausen, Germany. He also contributed a sound work to James Turrell’s Eclipse event/publication in Cornwall.

In 2002 Schütze began working with Alan Cristea Gallery London. In 2003 his first solo show Vertical Memory opened at ACG. The show included prints, video, sound and a huge wall work in which the whole of Alain Robbe-Grillet’s novel Topology of A Phantom City was rendered as a continuous plane of silver text. In 2004, Stiftelsen 314 in Bergen, Norway mounted his solo show Garden of Instruments. This was the next stage in a large scale project that began in 1997 with the release of Schutze’s spoken architectural opera Second Site and continued with a series of lightboxes for ACG also in 2004. This project which is still ongoing now has its own site.

In 2006 Schütze began to work with Galleria Estiarte in Madrid showing prints, videos and lightboxes. Following Schütze‘s two residencies at Cité des Arts in Paris making photographs, a solo show of photography – Twilight Science – opened in London at Alan Cristea Gallery in May 2008.

An ongoing commission (initiated in 1999) to make a sound work for James Turrell’s Roden Crater has involved several research trips and has now been completed as a five-hour installation piece in Dolby Surround.

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Terje Rypdal His first ECM efforts.

Terje Rypdal

Terje Rypdal guitar, flute
Inger Lise Rypdal voice
Ekkehard Fintl oboe, English horn
Jan Garbarek tenor saxophone, flute, clarinet
Bobo Stenson electric piano
Tom Halversen electric piano
Arild Andersen electric bass, double-bass
Bjørnar Andresen electric bass
Jon Christensen percussion

I've been listening too some of my 70's stuff (as always) and often times I get drawn to my early ECM catalog.
Another thing that I frankly have Too much time for is my Amazon store. (I'd rather have a job to go too) Amazon has that clever software that try's to track where you go and select (and propose to you) thing you might want to buy in the future. So...I get a lot of advertising for groups like Chick Corea's Return to Forever, Mahavishnu Orchestra, Herbie Hancock's Mwandishi (wow, they never pushed this before)
Miles, Heck they even sent me a link to Arve Henriksen.

BUT NO RYPDAL...AND NO EARLY ECM'S

I remember when I was a young, teenage jazz fan, I loved Miles bitches brew and Larry young/Tony Williams. The first time I saw Miles it blew me away! It was too much, went literally over my head.
But I came to love mile's stuff and he became my favorite.
This was when record companies limited what was released, no bonus stuff..or box sets. Just the album and you waited for the next to come out. I was a hendrix nut too, and there was plenty of weird releases and bootlegs...just a lot! But with Miles
No bootlegs, no weird releases. I ran out of stuff, and it seemed like nobody
"brewed" like miles.

Then I discovered the ECM label.The covers were exquisite, just great art and nice concise credits too. The production was cool too, literally! Icy and clean. "The ECM sound"was a selling point all by itself. ECM covered and released some American jazz artist's but what I really enjoyed was hearing european artist's.
My first Non-US artist I really went for was Terje Rypdal, again since I was looking for more "brew" type music I quickly grabbed both Rydal LP's that were out at the time. Rypdal "Terje Rypdal" ECM 1016 and "What Come's after" ECM 1031. Notice, I had Missed Rypdal's first release for over a year.
I think, actually what really grabbed me was Gateway's first release too.
I had seen Abercrombie with Gato barbieri's band and right away knew
he was a favorite!
But, In this period ECM, along with Impulse! Muse, Cobblestone,
was putting out just amazing ground breaking music. See The list I provided.under the review of Rypdals sessions.











Keep It Like That - Tight open's the LP with a funky electric bass beat,
slow and solid, Rypdal joins in and comps choppy electrified licks.
Its a slow burbling brew. Finally Jan Garbarek's burning tenor
takes over with various honks and beeps. Next (briefly)
Bobo Stenson shows off his funky side with a short clavinet/
electric piano solo and finally Terje Rypdal plays a solo
over the entire ensembles sound. Here he shows what the talk
back in 72 (oh..BoB Seger there!) anyway, what guitar heads
(like me) were mumbling about.It aint Bitches Brew..
but its a nice brew all the same.

Rainbow opens very quiet, with Garabreks soprano over and around what
sounds like possibly bowed guitar. Its almost orchestral, yet limited
instrumentation. Rypdal doubles on flute, showing nice
feel for this new instument.


Electric Fantasy Opens quietly as well, with a dreamy feel
Albeit briefly, somehow Ekkehard Fintl, Garbarek and Rypdal manage
to double and make their instruments sound like an orchestra.
Inger Lise Rypdal's voice makes its session debut here,
adding another dreamlike texture, the master Jon Christensen
lays a subtle background on his cymbals as Rypdal and mates create
a sonic palate for Lise's vocals to cover. Just beautiful.
And for my crew, between National Healths Amanda Parson's
and Inger Lise it open up our ears to a new possibility.



Lontano II Is again very quiet, and it was a new thing at the time
to hear a "guitar- hero" who understood the value of space and silence.
Nice tricks by Rypdal here, stretching and bending.

Tough Enough Opens with a rypdal "announcement" that hes going to be heard this time, Its interesting...his tone is almost telecaster-country. As he knocks off riffs,
in the back you can hear a second level of axe-strangulation.
Then it all kicks in, really ala Miles "right-off" I not
even sure Rypdal had heard "right-off, it was released February 24, 1971 in
the United States and probably later in Europe. I just
think good minds work along the same lines.

Recorded August 1971
ECM 1016






Terje Rypdal What Comes After...




Terje Rypdal guitars, flute
Barre Phillips basses
Jon Christensen percussion, organ
Erik Niord Larsen oboe, English horn
Sveinung Hovensjø electric bass

Bend It

Opens with a repeating electric bass line with Rypdal's great tone electric guitars soloing over and around.Clearly, from the start we hear that Mr. Rypdal has been
doing some serious "woodshedding".
His tone and attack have improved greatly since the first release.
"Bend it" comes clearly through the Miles/Mahavishnu filter but Rydal has his own
thing going on.


Yearning features the first extended solo acoustic guitar that I can recall
from rypdal. Its mostly a duet with Erik Niord Larsen's oboe.
Its a delicate interlude and again reminds us that Rypdal (like any good
composer) recognizes the value of "quiet time".


Icing is the music from a dream.Rypdal's touch here is light as is drummer Christensen,who wisely lays off providid bells and a light touch backbeat.Barre Phillips on acoustic bass weave into the mix, which also features
an other worldly oboe, the tune builds to a subdued crescendo then lays off..into..

What Comes After where Rypdals electric guitar is more powerful. He trades off Larsen's oboe while Christensen pushes the combo forward and Hovensjø comes into the mix.The tempo is slow, but with restrained power.Layers of guitars blend off solo's by other members.This, to me is basically early Odyssey music, a taste of where rypdal is moving forward to.

Séjours Opens with bowed bass and oboe, (think hendrix electric church). Here rydal picks up the flute showing off his mixed talents. Sejours is lovely, spacy, storybok music.

Back Of J. Ah yes J. I like to think this is for me. (not!) Barre Phillip and Rypdal play acoustic ( rypdal on spanish guitar) over cymbal washes.Its a laid back ending to a session that shows off many musical ideas.


After listening to "What Comes After" I was left waiting for more. Fortunately Rypdal's
"Whenever I Seem To Be Far Away" and "Odyssey" came fairly soon after, providing
more wonderful sounds to enjoy.






Recorded August 1973
ECM 1031


Here are some other early releases from ECM that I loved.


ECM 1012
Bobo Stenson
Underwear
℗1971 Recorded May 18 & 19, 1971 at the Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher





ECM 1015
Jan Garbarek Quintet
SART
℗1971 Recorded April 14 & 15, 1971 at the Arne Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher
Also reissued on CD as part of a box set ECM 2146/48



ECM 1016
Terje Rypdal
℗1971 Recorded August 12 & 13, 1971, Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher







ECM 1022
Chick Corea
Return To Forever
℗1972 Recorded February 2 and 3, 1972 at A & R Studios New York City
Engineer: Tony May
Produced by Manfred Eicher






ECM 1024
Gary Burton / Chick Corea
Crystal Silence
℗1973 Recorded November 6, 1972 at Arne Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher
Also reissued on CD as part of a box set ECM 2036/39







ECM 1028
Paul Motian
Conception Vessel
℗1973 Recorded November 25, 26, 1972 at Butterfly and Sound Ideas Studios, New York
Engineer: Kurt ... / George Klabin
Produced by Manfred Eicher
This album is part of the ECM Touchstones series.




ECM 1031
Terje Rypdal
What Comes After
℗1974 Recorded August 7 and 8, 1973 at Arne Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher





ECM 1039
Dave Liebman
Lookout Farm
℗1974 Recorded October 10 & 11, 1973
Generation Sound Studios
Engineer: Tony May
Produced by Manfred Eicher





ECM 1042
Eberhard Weber

When I first heard Weber..I was AMAZED!
The Colours of Chloë
℗1973 Recorded March 1975 at Tonstudio Bauer, Ludwigsburg
Engineer: K. Rapp, M. Wieland
Produced by Manfred Eicher





ECM 1043
Bennie Maupin

really, More Mwandishi ( a very good thing)

The Jewel In The Lotus
℗1974 Recorded March 1974, Record Plant, New York
Engineer: Dennis Ferrante
Produced by Manfred Eicher
Remastered by Manfred Eicher with Jan Erik Kongshaug in Oslo in February 2007.
Released on CD by ECM in August 2007.





ECM 1044
Julian Priester Pepo Mtoto

really, More Mwandishi
Love, Love
℗1974 Recorded June 28 & September 12, 1973 at Different Fur Music, San Francisco
Engineer: John Viera and Dane Butcher
Produced by Julian Priester and Pat Gleeson


















ECM 1045
Terje Rypdal

Just wonderful music

Whenever I Seem To Be Far Away
?1974 Recorded 1974 in Oslo and Ludwigsburg
Engineer: Kongshaug and Wieland
Produced by Manfred Eicher
Also reissued on CD as part of a box set ECM 2136/39





ECM 1046
Dave Liebman
Drum Ode
?1975 Recorded May 1974, Record Plant, New York
Engineer: Jay Messina
Produced by Manfred Eicher
Available as a digital download from Amazon.com.








ECM 1047
John Abercrombie

Here is Abercrombie LET LOOSE!
Timeless
?1975 Recorded June 11 & 12, 1974, Generation Sound Studios, New York
Engineer: Tony May, Jan Erik Kongshaug
Produced by Manfred Eicher







ECM 1048
Paul Motian
Tribute
?1975 Recorded May 1974, Generation Sound Studios, New York
Engineer: Tony May, Martin Wieland
Produced by Manfred Eicher












ECM 1050
Keith Jarrett
Belonging
?1974 Recorded April 24 and 25, 1974 at Arne Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher

Released in Japan as UCCU-5213









ECM 1051
Gary Burton Quintet w/ Eberhard Weber

What a great band
Ring
?1974 Recorded July 23 and 24, 1974 at Tonstudio Bauer, Ludwigsburg
Engineer: Martin Wieland
Produced by Manfred Eicher










ECM 1054
Richard Beirach
Eon
?1975 Recorded November 1974 at Generation Sound Studios, New York
Engineer: Tony May
Produced by Manfred Eicher







ECM 1057
Bill Connors
Theme To The Gaurdian
?1975 Recorded November 1974 at Arne Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher










ECM 1059
Arild Andersen
Clouds In My Head

My first taste of this great bassist
?1975 Recorded February 1975 at Arne Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher








ECM 1060
Ralph Towner
Solstice
?1975 Recorded December 1974 at Arne Bendiksen Studio, Oslo
Engineer: Jan Erik Kongshaug
Produced by Manfred Eicher






ECM 1061
John Abercrombie / David Holland / Jack DeJohnette

Incredible, a desert island disk!
Gateway
Recorded March 1975 at Tonstudio Bauer, Ludwigsburg
Engineer: Martin Wieland
Produced by Manfred Eicher



ECM 1062
Collin Walcott
Cloud Dance

Abercrombie is all over this!! A wonderful session.
Recorded March 1975 at Tonstudio Bauer, Ludwigsburg
Engineer: Martin Wieland
Produced by Manfred Eicher




ECM 1063
Enrico Rava
The Pilgrim And The Stars

a great session...where I first heard Ravas playing...Abercrombie is all over this!!

Recorded June 1975 at Tonstudio Bauer, Ludwigsburg
Engineer: Martin Wieland
Produced by Manfred Eicher
This album is part of the ECM Touchstones series.